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Demi-monde is a French 19th-century term referring to women on the fringes of respectable society, and specifically to courtesans supported by wealthy lovers. [1] The term is French for "half-world", and derives from an 1855 play called Le Demi-Monde, by Alexandre Dumas fils, [2] dealing with the way that prostitution at that time threatened the institution of marriage.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Dramatic verse occurs in a dramatic work, such as a play, composed in poetic form.The tradition of dramatic verse extends at least as far back as ancient Greece.. The English Renaissance saw the height of dramatic verse in the English-speaking world, with playwrights including Ben Jonson, Christopher Marlowe and William Shakespeare developing new techniques, both for dramatic structure and ...
Dante Meditating on the Divine Comedy.Jean-Jacques Feuchère, 1843. Literary fiction, mainstream fiction, non-genre fiction, serious fiction, [1] high literature, [2] artistic literature, [2] and sometimes just literature, [2] are labels that, in the book trade, refer to market novels that do not fit neatly into an established genre (see genre fiction) or, otherwise, refer to novels that are ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
CHRISTOPHER SMITH, a 25-year-old working in the education technology field, first learned the term “demiromantic” in college. Before that, he’d gotten into a few romantic relationships, but ...
Alya, who regularly tells Cinta her broken home problems, is the only one Cinta tells of her budding closeness with Rangga. The secret friendship causes changes in Cinta's behaviour, resulting in problems with Cinta's group of girlfriends. She starts to regularly lie to her friends to spend more time with Rangga.