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Wooden, lyre-shaped lucet, with in-progress square cord. A lucet is a tool used in cordmaking or braiding which is believed to date back to the Viking [1] and Medieval [2] periods, when it was used to create cords that were used on clothing, [1] or to hang items from the belt. [3] Lucet cord is square, strong, and slightly springy.
Needlepoint is often referred to as "tapestry" [12] in the United Kingdom and sometimes as "canvas work". However, needlepoint—which is stitched on canvas mesh—differs from true tapestry—which is woven on a vertical loom. When worked on fine weave canvas in tent stitch, it is also known as "petit point".
Ply-split braiding is a technique where one twisted cord ("splitter") passes through another twisted cord or cords splitting the plies of the latter cords ("splittee" cords). This is unlike weaving or many forms of braiding where cloth is formed by threads interlacing in an over-under sequence. Pattern is formed by cord color, and splitting order.
Passementerie of cording and braid, embellished with beads, French, 1908. Passementerie (/ p æ s ˈ m ɛ n t r i /, French pronunciation: [pɑsmɑ̃tʁi]) or passementarie is the art of making elaborate trimmings or edgings (in French, passements) of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.
Kumihimo is a traditional Japanese artform and craftwork for making braids and cords. [1] [2] In the past, kumihimo decorations were used as accessories for kimono as well as samurai armor. [3] Japanese braiding, as kumihimo is sometimes known in English, is also associated with Shinto rituals and religious services. [2]
Composition ornament ("compo") is a mouldable thermoplastic compound, consisting of powdered chalk mixed with collagen (hide glue), resin (pine rosin) and linseed oil; worked either by hand or more usually pressed into moulds to produce decorative work.