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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Originally, it was the diminutive form of the Ukrainian term duma, pl. dumy, "a Slavic (specifically Ukrainian) epic ballad … generally thoughtful or melancholic in character". [1] Classical composers drew on the harmonic patterns in the folk music to inform their more formal classical compositions. [citation needed]
With the addition of the octave note above or below the written note; abbreviated as col 8, coll' 8, and c. 8va colla parte literally "with the part". An indication that another (written-out) part should be followed, i.e. accommodate the tempo, expression, phrasing, and possible rubato of the leading part. In vocal music, also expressed by ...
Taarab music is a fusion of Swahili poetry sung in rhythmic poetic style, performed by male or female singers and taarab ensembles comprising numerous musicians. Taarab forms a part of the social life of the Swahili people along the coastal areas, especially in Zanzibar, Tanga and even further in Mombasa and Malindi along the Kenya coast. [4]
Abbreviated as D.C., informs the performer to go back to the beginning (capo) (finishing where the part is marked fine). Dal Segno: from the sign: Abbreviated as D.S., informs the performer to repeat a specific section marked by a sign (segno). Divisi: divided: Instructs one section to divide into two or more separate sections, each playing a ...
Dumas are sung in recitative, in the so-called "duma mode", a variety of the Dorian mode with a raised fourth degree. Dumy were songs built around historical events, many dealing with military action in some forms. [1]: 247 Embedded in these historical events were religious and moralistic elements. There are themes of the struggle of the ...
The music video for "Déjà Vu" was released on September 18, 2014 in collaboration with New York City-based director Jean Claude Billmaier and creative house Marabigo. Pitchfork identified the video as "a colorful, datamosh-y new video", [ 26 ] and Spin as a "stylish bubblegum pop-meets-digital-disaster (intentional)".
Malaika Nakupenda Malaika is a Swahili song written by Tanzanian artist, Adam Salim in 1945 and recorded for the first time by Kenyan musician, Fadhili William.This song is possibly the most famous of all Swahili love songs in Tanzania, Kenya and the entire East Africa, as well as being one of the most widely known of all Swahili songs in the world.