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Shibayama-style writing box, Nagasaki, 1800–1850, wood covered with black lacquer and inlaid with flowers in under-painted mother-of-pearl shell. Inlaid maki-e raden paper box with "wheels in flow" (katawaguruma) design, National Treasure, Heian period, 11–12th century, Tokyo National Museum Inlaid maki-e raden writing box with "Eight Bridges" (Yatsuhashi) design, by Ogata Kōrin, National ...
Box with butterfly design in mother of pearl inlay and maki-e (蝶螺鈿蒔絵手箱, chō raden makie tebako) unknown Rectangular box with butterfly and peony design Kamakura period: Box; maki-e and mother of pearl inlay Hatakeyama Memorial Museum of Fine Art, Tokyo —
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Suzuri-bako (硯箱; "inkstone box") are a type of Japanese writing box. The boxes are traditionally made of lacquered wood and are used to hold writing implements. [1] Historically, the boxes were associated with calligraphy, and as such they were made using high-quality materials designed to safeguard porcelain inkstones (suzuri) from damage. [2]
Lacquered box with mother-of-pearl inlays, Korea, Joseon period, mid to late 18th century The oldest lacquer tree found is from the Jōmon period in Japan, 12600 years ago. [ 1 ] [ 2 ] The oldest lacquerware in the world, burial ornaments which were created in 9th millennium B.C., were unearthed in early Jomon period tombs, at the Kakinoshima ...
Artifacts from the Narabara sutra mound including a bronze sutra container of pagoda shape (height: 71.5 cm (28.1 in), diameter of body: 17.3 cm (6.8 in)), a bronze sutra container, five bronze mirrors, two hiōgi (檜扇) folding fans, two porcelain boxes, a bronze hairpin, small knives, five bronze bells, an iron bell, a temple gong, copper ...
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
Inro with the characters for longevity and good fortune and the "Seven Lucky Treasures" on checkerboard ground, Edo period, 18th century, Metropolitan Museum of Art. An inro (印籠, Inrō, lit. "stamp case") is a traditional Japanese case for holding small objects, suspended from the obi (sash) worn around the waist when wearing a kimono.
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