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Constructed action and constructed dialogue are pragmatic features of languages where the speaker performs the role of someone else during a conversation or narrative. Metzger defines them as the way people "use their body, head, and eye gaze to report the actions, thoughts, words, and expressions of characters within a discourse". [ 1 ]
Ashob is regarded by scholars as an important historical genre in Persian, Urdu and Turkish literature used by the writers to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs generally describe emotional and thoughts of a writer in a narrative poetic format based on several features. [6]
English translation Hostel Mein Parhna: Reading in hostel Saveray Jo Meri Aankh Khuli: As my eyes opened in the morning Kuttay: Dogs Urdu Ki Aakhri Kitab: The last book of Urdu Mein Aik Miyan Hun: I am a husband Murredpur Ka Pir: Pir of Mureedpur Anjaam Bakhair: Good luck Cinema Ka Ishq: Love for cinema Mebal Aur Mein: Mebal and me Marhoom Ki ...
Constructed language created for the residents of More's fictional nation of Utopia; one of the first attempts at a constructed language. Zaum: 1913 Velimir Khlebnikov, Aleksei Kruchonykh et al. Poetic tongue elaborated by these Russian Futurists as a "transrational" and "most universal" language "of songs, incantations, and curses." Syldavian
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language. While it tends to be dominated by poetry , especially the verse forms of the ghazal ( غزل ) and nazm ( نظم ), it has expanded into other styles of writing, including that of the short story, or afsana ...
Urdu poets, also influenced by English and other European poets, took to introducing the sonnet into Urdu poetry rather late. [170] Azmatullah Khan (1887–1923) is believed to have introduced this format to Urdu literature in the very early part of the 20th century.
Choudhri Mohammed Naim (born 3 June 1936) is an American scholar of Urdu language and literature. He is currently professor emeritus at the University of Chicago. Naim is the founding editor of both Annual of Urdu Studies and Mahfil (now Journal of South Asian Literature), as well as the author of the definitive textbook for Urdu pedagogy in English.
Angarey or Angaaray (translated alternatively as "Embers" or "Burning Coals") is a collection of nine short stories and a one act play in Urdu by Sajjad Zaheer, Rashid Jahan, Mahmud-uz-Zafar and Ahmed Ali first published in 1932 and generally considered to have marked the beginning of the Progressive Writers' Movement in Indian literature.