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The low-end SG-100 and the P-90 equipped SG-200 appeared during this time, as well as the luxurious SG Pro and SG Deluxe guitars. Vibrato ( tremolo arm ) tailpieces were also introduced as options. In 1972 the design went back to the original style pickguard and rear-mounted controls but with the neck then set further into the body, joining ...
On this mid-level SG model, Gibson kept the neck binding but used dot inlays in place of the trapezoid position markers of the standard model and did not use the crown inlay on the headstock. With various minor changes (bridge and tailpiece replacing the stoptail in 1972, mini humbucker pickups between 1972 and 1976 and full sized open-coil ...
It is known for its single P-90 treble pickup, and the single piece 'wrap-around' bridge instead of the two-piece tune-o-matic bridge and tails-stop arrangement found on the SG Standard. From 1961 to 1963, it was branded with the "Les Paul Junior" name. In 1963, "Les Paul" was removed from the headstock and it was officially called the SG ...
The bridge is a standard Gibson Tune-o-matic, less heavy than the Schaller-made rectangular bridges from the mid-1970s, often called "harmonica" bridges. [ citation needed ] The pick-ups are not the original's ceramic sealed Bill Lawrence-designed "super humbuckers", but two humbucking pickups with four-conductor split-coil wiring—a 490R in ...
In 1963, the solid-body EDS-1275 was designed, resembling the SG model; this version of the doubleneck was available until 1968. [5] The guitar was available in jet black, cherry, sunburst, and white. [4] In 1974, Gibson started making the guitar again, in a number of additional colors, with production lasting until 1998.
In 2004, the Gibson Custom Shop introduced the Slash Signature Les Paul Standard, a guitar that Gibson has used ever since as the "standard" non-limited edition Slash Les Paul. [61] In 2008, Gibson USA released the Slash Signature Les Paul Standard Plus Top, an authentic replica of one of two Les Pauls Slash received from Gibson in 1988.
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