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Briseis taken away from Achilles, Fourth Style of Pompeian wall painting, from the atrium of the House of the Tragic Poet Detail. Achilles and Briseis is an ancient Roman painting from the 1st-century AD, depicting the scene from the Iliad where the captured Trojan princess and priestess Briseis is taken away from Achilles by the order of Agamemnon.
During his speech, Achilles says he wishes Briseis were dead, lamenting that she ever came between Agamemnon and himself. [12] This contrasts his own statements in book 9. She remained with Achilles until his death, which plunged her into great grief. She soon took it upon herself to prepare Achilles for the afterlife.
Panel of Achilles surrendering Briseis to Agamemnon. This dramatic scene depicts Achilles releasing Briseis to the Greek king Agamemnon. On the right side of the panel, Patroclus leads Briseis by the wrist. Achilles, seated, angrily directs them towards Agamemnon's messenger. [1]
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Achilles bandages the arm of Patroclus. The relationship between Achilles and Patroclus is a key element of the stories associated with the Trojan War.In the Iliad, Homer describes a deep and meaningful relationship between Achilles and Patroclus, where Achilles is tender toward Patroclus, but callous and arrogant toward others.
The more narrow lower panel depicts scenes of Achilles and the Iliad interspersed with simulated marble panels including Thetis giving weapons forged by Hephaestus to Achilles, Patroclus, dressed in the armor of Achilles, fighting from a wheeled vehicle, the funeral of Patroclus, a boxing match as part of the games held in honor of Patroclus ...
Briseis, a woman captured in the sack of Lyrnessus, a small town in the territory of Troy, and awarded to Achilles as a prize. Agamemnon takes her from Achilles in Book 1 and Achilles withdraws from battle as a result. Chryseis, Chryses’ daughter, taken as a war prize by Agamemnon. Clymene, servant of Helen along with her mother Aethra.
It depicts Briseis and Achilles. The sole column crater attributed to this painter is in the collection of the Museo Camillo Leone in Vercelli, Italy. It shows the pursuit of Troilus by Achilles and is dated to 420–410 BC. [2] A pelike in the National Gallery of Victoria showing an Amazonomachy scene.