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Masonic music has been defined as "music used in connection with the ritual and social functions of freemasonry." [ 1 ] Two major types of music used in masonic lodges are lodge songs, played to keyboard accompaniment before or after meetings, or during meals; and music written to accompany specific masonic ceremonies and events.
The style promoted by the Masonic view was much less virtuosic and unornamented. Mozart's style of composition is often referred to as "humanist" and is in accord with this Masonic view of music. [10] The music of the Freemasons contained musical phrases and forms that held specific semiotic meanings. For example, the Masonic initiation ...
W.A. Mozart and The Magic Flute. Berkeley, California: Regent Press. ISBN 978-1587900136. Buch, David J. (2004). "Die Zauberflöte, Masonic Opera, and Other Fairy Tales". Acta Musicologica. 76 (2): 193– 219. Chailley, Jacques (1992). The Magic Flute unveiled: esoteric symbolism in Mozart's masonic opera. An interpretation of the libretto and ...
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
Composers who specifically wrote masonic music, i.e. music for masonic rituals and ceremonies, as evidenced by sourced references in their home articles. Subcategories This category has only the following subcategory.
The Maurerische Trauermusik (Masonic Funeral Music) in C minor, K. 477 (K. 479a), is an orchestral work composed by Wolfgang Amadeus Mozart in 1785 [1] in his capacity as a member of the Freemasons. The autograph manuscript of the work is preserved in the Berlin State Library .
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
Various of these stories – which were being separately published in Vienna at the time The Magic Flute was being written – are held to have influenced Schikaneder's Magic Flute libretto. "Adis und Dahy" contains a model for the character Monostatos; he is a black slave who watches over the heroine and is later punished by his master. [5]