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New York, New York is a 1977 American romantic musical film directed by Martin Scorsese from a screenplay by Earl Mac Rauch and Mardik Martin, based on a story by Rauch. John Kander and Fred Ebb wrote several songs for the film, including " New York, New York " which became a global phenomenon.
The new song, "Theme from New York, New York", begins with one of Kander's famous vamps, this one derived from the ragtime practice of putting the melody underneath a repeated note. [ 3 ] : 25–6 Liza Minnelli's performance was released as a single from the soundtrack album and peaked at #104 on the Billboard chart.
In 2009 she received the Guggenheim fellowship [1] in the category of film. Her work has often centered around Jerusalem and the Palestinian struggle. Wild Mint, which she directed and produced, and Cut, [2] which she photographed and co-produced, were the first films in which she attempted to reconcile state ideology and reality.
The song was such a big hit that New York City named Swift as an official Global Welcome Ambassador for the city. That wasn’t the only time Swift has shown love for her adopted home. She’s ...
New York, New York is a musical with music by John Kander, lyrics by Fred Ebb and Lin-Manuel Miranda, and a book by David Thompson and Sharon Washington. Inspired by and loosely based on the 1977 film of the same name by Martin Scorsese , [ 1 ] the musical premiered on Broadway on April 26, 2023.
In the mid-1980s, the store received a new name, 32 Mott Street General Store, and in 2003, it closed in the aftermath of September 11, 2001, The New York Times reported.
Wesley Morris (born 1975) [2] is an American film critic and podcast host. He is currently critic-at-large for The New York Times, [3] as well as co-host, with J Wortham, of the New York Times podcast Still Processing.
Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s. [1]