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Vamp most commonly refers to: Vamp (shoe), the upper part of a shoe; Vamp (woman), a seductress or femme fatale; derived from "vampire" Vamp (music), a repeating musical figure or accompaniment; Vamp or vamps may also refer to:
Femmes fatales were standard fare in hardboiled crime stories in 1930s pulp fiction.. A femme fatale (/ ˌ f ɛ m f ə ˈ t æ l,-ˈ t ɑː l / FEM fə-TA(H)L, French: [fam fatal]; lit. ' fatal woman '), sometimes called a maneater, [1] Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and seductive woman whose charms ensnare her lovers, often leading them into compromising ...
A musician who plays any instrument with a keyboard. In Classical music, this may refer to instruments such as the piano, pipe organ, harpsichord, and so on. In a jazz or popular music context, this may refer to instruments such as the piano, electric piano, synthesizer, Hammond organ, and so on. Klangfarbenmelodie (Ger.)
1970s-era funk music often takes a short one or two bar musical figure based on a single chord one would consider an introduction vamp in jazz or soul music, and then uses this vamp as the basis of the entire song ("Funky Drummer" by James Brown, for example). Jazz, blues, and rock are almost always based on chord progressions (a sequence of ...
Patricia Carpenter (January 21, 1923 – July 8, 2000), [1] a music theorist, was a professor of music theory at Barnard College and Columbia University. Her areas of scholarly interest included music theory, the history of music theory, musical analysis, and the aesthetics of music. She was born in Santa Rosa, California. [2] Patricia Carpenter
Women in Music play many roles and are responsible for a broad range of contributions in the industry. Women continue to shape movements, genres, and trends as composers, songwriters, instrumental performers, singers, conductors, and music educators. Women's music, which is created by and for women, can explore women's rights and feminism ...
Popcorn Venus: Women, Movies & the American Dream (Popcorn Venus) is a book written by Marjorie Rosen, published in 1973.Considered one of the first books written by a woman exploring film from a feminist perspective, Rosen's study covers women's roles in movies from the 1900s into the 1960s and early 1970s in the form of reflection theory. [1]
One of her best known works is Feminine Endings (1991). "Feminine ending" is a musical term once commonly used to denote a weak phrase ending or cadence.The work covers musical constructions of gender and sexuality, gendered aspects of traditional music theory, gendered sexuality in musical narrative, music as a gendered discourse, and discursive strategies of women musicians.