Search results
Results From The WOW.Com Content Network
"No Pain, No Gain" [a] is a song written, [1] co-produced [1] and performed by American contemporary R&B singer Betty Wright; issued as the lead single from her twelfth studio album Mother Wit. The song peaked at #14 on the Billboard R&B chart in 1988.
No pain, no gain (or "No gain without pain") is a proverb, used since the 1980s as an exercise motto that promises greater value rewards for the price of hard and even painful work. Under this conception competitive professionals, such as athletes and artists, are required to endure pain (physical suffering) and stress (mental/emotional ...
Đờn ca tài tử (Chữ Hán: 彈 歌 才子) or nhạc tài tử (樂才子) is a genre of chamber music in the traditional music of southern Vietnam. Its instrumentation resembles that of the ca Huế style; additionally, modified versions of the European instruments guitar, violin, and steel guitar are used.
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Tiếng gọi thanh niên, or Thanh niên hành khúc (Saigon: [tʰan niəŋ hân xúk], "March of the Youths"), and originally the March of the Students (Vietnamese: Sinh Viên Hành Khúc, French: La Marche des Étudiants), is a famous song of the Vietnamese musician Lưu Hữu Phước.
Nhã nhạc (Vietnamese: [ɲǎːˀ ɲàːˀk], 雅樂, "elegant music") is a traditional music of Vietnam.Vietnamese court music is very diverse, but the term nhã nhạc refers specifically to the Vietnamese court music performed from the Trần dynasty of the 13th century to the Nguyễn dynasty at the end of the 20th century.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet ( Kinh ) majority as well as the nation's ethnic minorities .
Gongche notation or gongchepu is a traditional musical notation method, once popular in ancient China.It uses Chinese characters to represent musical notes.It was named after two of the Chinese characters that were used to represent musical notes, namely "工" gōng and "尺" chě.