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Kewpie is a brand of dolls and figurines that were conceived as comic strip characters by American cartoonist Rose O'Neill. The illustrated cartoons, appearing as baby cupid characters, began to gain popularity after the publication of O'Neill's comic strips in 1909, and O'Neill began to illustrate and sell paper doll versions of the Kewpies.
The Kewpie characters made their debut in comic strip form in 1909 in an issue of Ladies' Home Journal. [20] Further publications of the Kewpie comics in Woman's Home Companion and Good Housekeeping helped the cartoon grow in popularity rapidly. [26] [27] In 1913, German doll manufacturer Kestner & Co. began making Kewpie dolls.
The 1930s Shirley Temple doll sold millions and was one of the most successful celebrity dolls. Small celluloid Kewpie dolls, based on illustrations by Rose O'Neill, were popular in the early 20th century. Madame Alexander created the first collectible doll based on a licensed character – Scarlett O'Hara from Gone with the Wind. [39]
Ideal produced over 200 variations of dolls throughout the composition era. [2] In 1914, Ideal had a boy doll launched named the Uneeda Kid, after a biscuit company. [29] [28] It was patented on December 8, 1914. [30] The 15-inch boy doll wore a blue and white bloomer suit and held a box of Uneeda Biscuits under his arm. [31]
The chain is named after the Kewpie doll. [2] [4] Kewpee was one of the first to institute curbside service, which later morphed into a drive-in service, and then finally was transformed into drive-thru service. [2] [3] The Lima Kewpee locations have locally raised beef delivered daily to each Kewpee restaurant. [2]
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Kewpie doll. The Kewpie doll effect is a term used in developmental psychology derived from research in ethology to help explain how a child's physical features, such as lengthened forehead and rounded face, motivate the infant's caregiver to take care of them. The child's physical features are said to resemble a Kewpie doll.
Como recorded the song twice, on March 4, 1958, and March 11, 1958. [citation needed] The second recording was the basis for its single releases: In the United States, on RCA Victor, as a 78 rpm single (catalog number 20-7202), a 45 rpm single (catalog number 47-7202), [4] and a stereophonic 45 rpm single (catalog number 61-7202) (flip side: "Dance Only with Me") [5] (peaked at number 6 on the ...