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It is a complaint about Fortuna, the inexorable fate that rules both gods and mortals in Roman mythology. In 1935–36, "O Fortuna" was set to music by German composer Carl Orff as a part of "Fortuna Imperatrix Mundi", the opening and closing movement of his cantata Carmina Burana. It was first staged by the Frankfurt Opera on 8 June 1937.
Fortuna (Latin: Fortūna, equivalent to the Greek goddess Tyche) is the goddess of fortune and the personification of luck in Roman religion who, largely thanks to the Late Antique author Boethius, remained popular through the Middle Ages until at least the Renaissance.
"O Fortuna" is a movement in Carl Orff's 1935–36 cantata Carmina Burana. It begins the opening and closing sections, both titled "Fortuna Imperatrix Mundi". The cantata is based on a medieval Goliardic poetry collection of the same name, from which the poem "O Fortuna" provides the words sung in the movement. It was well-received during its ...
Fortuna Huiusce Diei ("The Fortune of This Day" or "Today's Fortune" [1]) was an aspect of the goddess Fortuna, known primarily for her temple in the Area Sacra di Largo Argentina at Rome. [2] Cicero lists her among the deities who should be cultivated in his ideal state, because "she empowers each day". [ 3 ]
Said Orbona is the goddess who takes care of parents who bereaved of their children. [5] There is no description of the appearance or related presence in the Roman mythology. Orbona is a unique figure in Roman religion. She stands apart and does not derive directly from any Greek goddess. Her name is barely seen in the present because she has a ...
Morta (Greek Atropos), who cut the thread of life and chose the manner of a person's death. [7] [8] [9] The earliest extant documents referencing these deities are three small stelae (cippi) found near ancient Lavinium shortly after World War II. [10] They bear the inscription: Neuna fata, Neuna dono, Parca Maurtia dono
Roman worship of Fortuna as the goddess of luck and fortune was common, and multiple versions of her existed with different epithets used to highlight different aspects of the goddess. Fortuna Muliebris is one such variant of the goddess, with the epithet "Muliebris" (Latin for "woman's" or "womanly") referring to her role as a Fortuna ...
She is mentioned in one of Juvenal's satires and identified with the Roman goddess Fortuna, [5] and Martianus Capella lists her along with other goddesses of fate and chance such as Sors, Nemesis, and Tyche. [6] Tertullian names Nortia twice in Christian polemic. [7]