Search results
Results From The WOW.Com Content Network
In 3.1, Cassio asks Emilia to allow him to privately confer with Desdemona, which she does. She finds Desdemona's handkerchief in 3.1 and gives it to Iago, who swears her to secrecy. Despite her involvement in the handkerchief's disappearance, she comforts Desdemona when Othello becomes enraged after discovering that it is missing in 3.4. [1]
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello , a Moorish Venetian military prodigy.
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist, and Othello's standard-bearer.He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona.
The last revival, in 1982, starred James Earl Jones as Othello, Christopher Plummer as Iago and Dianne Wiest as Desdemona. Shakespeare’s tragedy was penned around 1603, under its full name: The ...
Othello and Desdemona in Venice by Théodore Chassériau (1819-1856). The Tragedy of Othello, the Moor of Venice, often shortened to Othello (/ ɒ ˈ θ ɛ l oʊ /), is a tragedy written by William Shakespeare around 1603.
Desdemona is a play by Toni Morrison. It was first produced in Vienna in May 2011. The title character of the play is Desdemona, the wife of the title character in Shakespeare's Othello. [1] The 2011 play arose from a collaboration between Morrison, director Peter Sellars, and musician Rokia Traoré. About a decade earlier, Morrison and Sellars ...
Othello (/ ɒ ˈ θ ɛ l oʊ /, oh-THELL-oh) is the titular protagonist in Shakespeare's Othello (c. 1601–1604). The character's origin is traced to the tale "Un Capitano Moro" in Gli Hecatommithi by Giovanni Battista Giraldi Cinthio.
Her nuanced playing … establishes Emilia as one of Shakespeare's great tragic roles. When, roaring, Wanamaker defies Othello … and breaks free of her collusion with Iago's lies … the voice Emilia acquires seems to be the voice of women's history. Here is a role that claims the agency that eludes Ophelia, Gertrude, Desdemona. [3]