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Samples of Handwriting Script typefaces Typeface name Example 1 Example 2 Example 3 Alexa Designer: Steve Matteson: Andy Designer: Steve Matteson: Ashley Script Designer: Ashley Havinden: Balloon Designer: Max R. Kaufmann : Blackadder: Caflisch Script Designer: Robert Slimbach: Chalkboard: Comic Sans MS Designer: Vincent Connare: Dom Casual ...
Sütterlin is based on older German handwriting, which is a handwriting form of the Blackletter scripts such as Fraktur and Schwabacher, the German print scripts used at the same time. It includes the long s (ſ) as well as several standard ligatures such as ff (f-f), ſt (ſ-t), st (s-t), and ß (ſ-z or ſ-s).
Fraktur is today used mostly for decorative typesetting: for example, a number of traditional German newspapers such as the Frankfurter Allgemeine, as well as the Norwegian Aftenposten, still print their name in Fraktur on the masthead (as indeed do some newspapers in other European countries and the U.S.) and it is also popular for pub signs ...
This allows fonts to have a large character set, increasing the sophistication of design possible, and contextual insertion, in which characters that match one another are inserted into a document automatically, so fonts can convincingly mimic handwriting without the user having to choose the correct substitute characters manually. [12]
Alphabet in Kurrent script from about 1865. The next-to-last line shows the umlauts ä, ö, ü, and the corresponding capital letters Ae, Oe, and Ue; and the last line shows the ligatures ch, ck, th, sch, sz (), and st. Danish Kurrent script (»gotisk skrift«) from about 1800 with Æ and Ø at the end of the alphabet Sample font table of German handwriting by Kaushik Carlini, 2021
As with all handwriting, cursive Hebrew displays considerable individual variation. The forms in the table below are representative of those in present-day use. [5] The names appearing with the individual letters are taken from the Unicode standard and may differ from their designations in the various languages using them—see Hebrew alphabet § Pronunciation for variation in letter names.
Lucida (pronunciation: / ˈ l uː s ɪ d ə / [2]) is an extended family of related typefaces designed by Charles Bigelow and Kris Holmes and released from 1984 onwards. [3] [4] The family is intended to be extremely legible when printed at small size or displayed on a low-resolution display – hence the name, from 'lucid' (clear or easy to understand).
English: The English alphabet, both uppercase and lowercase letters, written in D'Nealian cursive script. The grey arrows, beside each letter/numeral, indicate the starting position for drawing each symbol. For letters which are written using more than one stroke, grey numbers indicate the order in which the lines are drawn.