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Thomas Stearns Eliot OM (26 September 1888 – 4 January 1965) was a poet, essayist and playwright. [1] He was a leading figure in English-language Modernist poetry where he reinvigorated the art through his use of language, writing style, and verse structure.
T. S. Eliot in 1920, in a photo taken by Lady Ottoline Morrell. In 1925, Eliot became a poetry editor at the London publishing firm of Faber and Gwyer, Ltd., [4]: pp.50–51 after a career in banking, and subsequent to the success of his earlier poems, including "The Love Song of J. Alfred Prufrock" (1915), "Gerontion" (1920) and "The Waste Land" (1922). [5]
Eliot wrote "The Love Song of J. Alfred Prufrock" between February 1910 and July or August 1911. Shortly after arriving in England to attend Merton College, Oxford in 1914, Eliot was introduced to American expatriate poet Ezra Pound, who instantly deemed Eliot "worth watching" and aided the start of Eliot's career.
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Macavity the Mystery Cat, also called the Hidden Paw, is a fictional character and the main antagonist of T. S. Eliot's 1939 poetry book Old Possum's Book of Practical Cats. He also appears in the Andrew Lloyd Webber 1981 musical Cats, which is based on Eliot's book. Macavity is a cunning criminal and con artist; he possesses mystical powers ...
BSc meteorologist Janice Davila tells Bored Panda that one of the most unknown facts from her field of expertise is that weather radars are slightly tilted upward in a half-degree (1/2°) angle.
Eliot refers to this organic tradition, this developing canon, as the "mind of Europe." The private mind is subsumed by this more massive one. This leads to Eliot's so-called "Impersonal Theory" of poetry. Since the poet engages in a "continual surrender of himself" to the vast order of tradition, artistic creation is a process of ...
The portrait shows Eliot from the front as he sits in an armchair, dressed in a lounge suit and a waistcoat. His hands are crossed and he has a serious facial expression. [ 2 ] [ 3 ] The shapes that make up the painting are stylised; The Guardian describes Eliot's face as "a jigsaw puzzle of shadowy half-moons and sharp planes". [ 2 ]