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Filippo Lippi, Adoration in the Forest, by 1459 Cimabue, Madonna of Santa Trinita, c. 1285, once in the church of Santa Trinita, now in the Uffizi Gallery. Florentine painting or the Florentine school refers to artists in, from, or influenced by the naturalistic style developed in Florence in the 14th century, largely through the efforts of Giotto di Bondone, and in the 15th century the ...
Alessandro di Mariano di Vanni Filipepi (c. 1445[1] – May 17, 1510), better known as Sandro Botticelli (/ ˌbɒtɪˈtʃɛli / BOT-ih-CHEL-ee; Italian: [ˈsandro bottiˈtʃɛlli]) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was ...
Antonio del Pollaiuolo, Portrait of a Young Woman (1470–1472), Museo Poldi Pezzoli, Milan. Facade of Santa Maria Novella (1456) Michelangelo, Doni Tondo (1503–1504). The Florentine Renaissance in art is the new approach to art and culture in Florence during the period from approximately the beginning of the 15th century to the end of the 16th.
Madonna and Child with Two Musician Angels. The Madonna and Child with Two Musician Angels is an oil-on-panel painting by the Italian Renaissance painter Correggio, now in the Uffizi in Florence. Some date it to 1514–15 but it is more commonly dated to 1515–16.
Ginevra de' Benci is a portrait painting by Leonardo da Vinci of the 15th-century Florentine aristocrat Ginevra de' Benci (born c. 1458).It was acquired by the National Gallery of Art in Washington, D.C. US from Franz Joseph II, Prince of Liechtenstein in February 1967 for a record price for a painting of between $5 and $6 million. [1]
The Adoration of the Magi is a tondo, or circular painting, of the Adoration of the Magi assumed to be that recorded in 1492 in the Palazzo Medici Riccardi in Florence as by Fra Angelico. It dates from the mid-15th century and is now in the National Gallery of Art in Washington D.C. Most art historians think that Filippo Lippi painted more of ...
Paolo Schiavo. Paolo Schiavo, The Flagellation, oil on panel, 1430s. Paolo Schiavo, the pseudonym of Paolo di Stefano Badaloni (1397–1478) was a Florentine painter. Born in Florence, Paolo Schiavo enrolled in the Guild of Doctors and Apothecaries (Arte dei Medici e Speziali) in 1428. According to Vasari, he was a follower of Masolino. [1]
The themes that preoccupied painters of the Italian Renaissance were those of both subject matter and execution – what was painted and the style in which it was painted. The artist had far more freedom of both subject and style than did a Medieval painter. Certain characteristic elements of Renaissance painting evolved a great deal during the ...