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In Madras (now Chennai), Jayalalithaa was trained in Carnatic music, western classical piano [37] and various forms of classical dance, including Bharatanatyam, Kuchipudi, Mohiniyattam, Manipuri, Kathak. [38] She learnt Bharatnatyam and dance forms under K.J.Sarasa. [39] She had also learnt Kuchipudi under Padma Bhushan Guru Dr. Vempati Chinna ...
Izzat Film Poster Directed by T. Prakash Rao Written by Rajinder Singh Bedi (screenplay) Dulal Guha (story) Rajinder Singh Bedi (dialogues) Produced by F.C.Mehra Starring Dharmendra Tanuja Jayalalitha Balraj Sahni Mehmood Music by Laxmikant–Pyarelal Release date 1968 (1968) Country India Language Hindi Izzat (transl. Respect) is a 1968 Indian Hindi -language drama film directed by T. Prakash ...
J. Jayalalithaa in June 2016 This is the filmography of the late Indian actress and former Tamil Nadu chief minister J. Jayalalithaa who acted in over 140 films including Tamil , Telugu , Kannada , Hindi , Malayalam and English .
It stars N. T. Rama Rao and Jayalalithaa, with music composed by T. V. Raju. [1] The film was remade in Tamil as Nam Naadu (1969), [2] and in Hindi as Apna Desh (1972). [3] The film was recorded as a blockbuster at the box office. The film won two Nandi Awards.
It is a remake of the Hindi film Woh Kaun Thi? (1964). [1] The film, released on 14 April 1966, [2] was a box office success, [3] and Jayalalithaa won the Madras Filmfans Association Award for Best Actress. [4]
It stars Akkineni Nageswara Rao, Savitri and Jayalalithaa, with music composed by T. Chalapathi Rao. T. Rama Rao worked as associate director for this film. This picture is also remembered to be Jayalalithaa's Telugu debut as a leading actress (having previously worked as a child artiste in mostly song sequences).
Nadhiyai Thedi Vandha Kadal (transl. The sea which came in search of a river) is a 1980 Indian Tamil-language film.The directorial debut of B. Lenin, [1] the film stars Jayalalithaa and Sarath Babu.
For a golden voice, with resonant timbre and charm, highly cultivated to convey the nuances of melodies based on classical and light classical ragas with as much ease and felicity as tunes set to the lilt of light music; for the sheer brilliance of form and content in his powerful interpretations; for a distinctive personal style.