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Mashiko village pottery, Japan, 1937 [videorecording]: pottery-making in Japan.1 videocassette (VHS) (22 min.): si., black and white; 1/2 in. Shows the pottery techniques used by Mashiko potters. From the 1850s, these potters produced utilitarian ware for local markets, but the post-war period saw a change with the influence of potter Shoji Hamada.
Studio pottery is pottery made by professional and amateur artists or artisans working alone or in small groups, making unique items or short runs. Typically, all stages of manufacture are carried out by the artists themselves. [ 1 ]
Janet Darnell Leach (15 March 1918 – 12 September 1997), was an American studio potter working in later life at the Leach Pottery in St Ives, Cornwall in England. After studying pottery at Black Mountain, North Carolina under Shoji Hamada, a visiting artisan, she traveled to Japan to work with him. She studied with him for two years and ...
The studio remained almost unchanged during the 50 years she occupied it and has been reconstructed in the Victoria and Albert Museum's ceramics gallery. Rie was a friend of Bernard Leach , one of the leading figures in British studio pottery in the mid-20th century, and she was impressed by his views, especially concerning the "completeness ...
The Mungeribar Pottery's mark is a Macdonald's em impressed; Sprague's personal mark is a capital I over a horizontal separator and the Morse code for S—three dots. Some pots are signed "IanS". [20] Drawings and paintings are signed "Ian Sprague"; work signed simply "Sprague" is generally by his nephew Leslie.
Pleydell-Bouverie described herself as "a simple potter. I like a pot to be a pot, a vessel with a hole in it, made for a purpose". [8] In a letter to Bernard Leach written 29 June 1930, she said "I want my pots to make people think, not of the Chinese, but of things like pebbles and shells and birds' eggs and the stones over which moss grows.
From 1904 to 1916 she contributed designs to Keramic Studio. At the Overbeck pottery studio Hannah and her sister, Mary Frances, were primarily responsible for the pottery's decorative designs. Her original design motifs were inspired from nature. She also made hand-formed pottery without the use of a potter's wheel.
Bernard Rooke (born 1938) [1] is a British artist and studio potter. [2] [3] Rooke has exhibited his "Brutalist" ceramics [4] and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Paisley Museum and Art Galleries, Leicester Museum, Buckinghamshire County Museum ...