Search results
Results From The WOW.Com Content Network
It consists of an eighth, a sixteenth, an eighth, a sixteenth, and an eighth note. Placing this rhythm in a 2/4 measure produces a strongly syncopated character from the sustained note which replaces an articulated one on the first quarter of the second beat. Cinquillo is an embellishment of the more basic pattern known as tresillo. Cinquillo ...
An eighth note or a quaver is a musical note played for one eighth the duration of a whole note (semibreve). Its length relative to other rhythmic values is as expected—e.g., half the duration of a quarter note (crotchet), one quarter the duration of a half note (minim), and twice the value of a sixteenth note.
The rhythm within each measure is divided into two groups of three eighth notes each (notated by beaming in groups of three). This indicates a pulse that follows the eighth notes (as expected) along with a pulse that follows a dotted quarter note (equivalent to three eighth notes). Complex/irregular time signatures
They are usually played in a bright tempo and evoke a sunny disposition. It may have been invented by Dave Brubeck and his group. The melody often begins with a pattern of eighth-note followed by a quarter-note which is repeated. That is followed by a bar of three quarter-notes, and both bars may be repeated before the theme is developed further.
This establishes a dotted-quarter note pulse in triple time: each measure is formed from three dotted-quarter note pulses, each pulse divided into three eighth notes. A "fill" is played in between the regular strokes of a pattern and/or signals the end of a phrase:
A quarter note can be divided into four sixteenth notes. The first sixteenth note is the strongest, followed by the third, with the second sixteenth weak and the fourth the weakest. The same concept applies to eighth-note triplets. The first eighth note is the strongest, while the second and third eighth notes are weak. Recognizing strong and ...
The rhythm was as follows: two "swung" eighth notes (the first and third notes of an eighth note triplet), a quarter note, and then a repeat of the first three beats (sound sample "Inverted ride pattern" at right). Aside from these patterns, a drummer from this time would have an extremely small role in the band as a whole.
The sixteenth notes on beats four and five of measure nine is the beginning of the slowing down momentum. Measure 10 starts slowing the rhythm by the use of eighth-notes, quarter-note triplets, and finally, quarter-notes, when the primary motive pattern returns in measure 13.