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The 4x4x house is a four story tower with 4m x 4m dimensions (13x13 feet) in a 16.5 foot-square space. [1] [4] The overall shape and location of the building is evocative of a watchtower. [5] The house is encased in concrete and deep in the ground to resist to lateral forces.
In 1973, according to one study, 65% of the population of Japan lived in detached houses, while 12% lived in attached houses and 23% in a flat or apartment. [10] A survey conducted by the Management and Coordination Agency in 1983 found that there were 34.75 million occupied dwellings in Japan, of which 46.1% were built of timber, 31.3% of ...
The well, toilet and waste facilities were shared. Except for a bedroom, each household only had a kitchen. [1] Historically, similar houses were built around a rich manor or castle for low-ranking samurai. [2] [3] Later, they accommodated both samurai and commoners. At the ends of the building shops were located, typically, their owners living ...
Pages in category "Houses in Japan" The following 8 pages are in this category, out of 8 total. This list may not reflect recent changes. 0–9. 4x4 house; A. Abumiya; C.
Sagamihara Housing Area (SHA) is an area of land designated as living space for United States Military personnel and Department of the Army Civilians in Sagamihara, Kanagawa prefecture, Married American soldiers who are stationed at Camp Zama may live on SHA instead of living on the main post (although some Married Soldiers do live on Camp Zama).
Typical room sizes are six or eight tatami mats in a private home. There are also half-sized mats, as in a 4.5-tatami room. People sit directly on the tatami, on zabuton (a kind of cushion), or on special low chairs set on the tatami. For sleeping, a futon is laid out in the evening and folded away in the morning.
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The ground level windows frame the formal garden whilst a 4 by 4-foot (1.2 m) square window in the master bedroom just misses the view of the train. The precise detailing and composition of every architectural detail provides the house with what Tsukamoto refers to as ‘rhythms to the groundless, erupting flow we call life’.