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The triptych was sold by Marlborough Fine Art to the Norwegian industrialist and art collector Hans Rasmus Astrup in 1984. It was displayed at the Astrup Fearnley Museum of Modern Art in Oslo from its foundation in 1993, until it was deaccessioned and sold in 2020, to put the museum on a stronger financial basis and to enable it to make new acquisitions to diversify its collection.
With assistance from art experts and archivists in Britain, France and the Netherlands, the programme undertook an exhaustive investigation and analysis of the Tutt painting, and they were given special permission by the owners of Le Grand Teddy to view it, to examine it using infra-red and ultra-violet light, and to take minute samples of the ...
The Oyster Eater (Dutch: Het oestereetstertje) or Girl Offering Oysters (Meisje, oesters aanbiedend) is a small oil-on-panel painting by Jan Steen dating to c.1658–1660. [1] Since 1936, it has been in the collection of the Mauritshuis in the Hague. [ 1 ]
The triptych format has been used in non-Christian faiths, including, Judaism, Islam, and Buddhism. For example: the triptych Hilje-j-Sherif displayed at the National Museum of Oriental Art, Rome, Italy, and a page of the Qur'an at the Museum of Turkish and Islamic Arts in Istanbul, Turkey, exemplify Ottoman religious art adapting the motif. [7]
A triptych has three connected panels of artwork and is a type of polyptych, the term for art pieces with multi-panel sections. [14] The creation of Mediterranean Sea View 2017 consists of three reworked oil paintings of an original triptych. [2] The original paintings consist of a 19th-century seascape that bears similarities to Romantic-era ...
In interviews, Bacon said that when he daydreamed, images occurred in "hundreds at a time, some link up with one another." The triptych format was attractive, he believed, because it physically broke the images and prevented forced or constructed narrative interpretation; a tendency in painting to which he was particularly opposed and found banal.