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The Canary Girls were British women who worked in munitions manufacturing trinitrotoluene (TNT) shells during the First World War (1914–1918). The nickname arose because exposure to TNT is toxic, and repeated exposure can turn the skin an orange-yellow colour reminiscent of the plumage of a canary .
[24] [21] The clothing worn by the women carries a patriotic tone, according to the art historian Mike McKiernan, as reds, whites and blues dominate. [25] According to the cultural historian Lindsey Robb, the painting—along with Frank Dobson's 1944 work An Escalator in an Underground Factory —"reinforce the representation of industrial work ...
The British textile and clothing trades, in particular, employed far more women than men and were regarded as 'women's work.' [11] By 1914 nearly. 5.09 million out of the 23.8 million women in Britain were working. [12] Thousands worked in munitions factories (see Canary Girl, Gretna Girls), offices, and large hangars to build aircraft. [1]
Children's clothing in the 1930s and 1940s was heavily impacted by the problems of the era with many families suffering from financial difficulties from the Great Depression and material shortages and rationing during the Second World War. Clothing was frequently homemade with mothers often making garments from other items such as sacks.
Fashion during the 1940s — clothing designed and/or popular in the 1940s. Also fashion designers and clothing companies active during the decade. The main articles for this category are 1930–1945 in Western fashion and 1945–1960 in Western fashion .
The Gretna Girls was a collective nickname given to women munition workers at HM Factory Gretna in World War One. By June 1917, roughly 80% of the weaponry and ammunition used by the British army during World War I was being made by munitionettes. [5]