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The Canary Girls were British women who worked in munitions manufacturing trinitrotoluene (TNT) shells during the First World War (1914–1918). The nickname arose because exposure to TNT is toxic, and repeated exposure can turn the skin an orange-yellow colour reminiscent of the plumage of a canary .
Munition workers were sometimes called Canary Girls, British women who worked in munitions manufacturing trinitrotoluene (TNT) shells during the First World War1 (1914–1918). The nickname arose because exposure to TNT is toxic, and repeated exposure can turn the skin an orange-yellow colour reminiscent of the plumage of a canary. [2]
Munitionettes worked with hazardous chemicals on a daily basis without adequate protection. Many women worked with trinitrotoluene (TNT). Prolonged exposure to the nitric acid used in the process turned worker's skin yellow, prompting the popular name canary girls. Exposure to chemicals was also a serious health risk for the munitionettes.
Mass Grave in St. Mary's Church, Attenborough. A substantial part of the National Shell Filling Factory was destroyed in an explosion of eight tons of TNT on 1 July 1918. In all 134 people were killed, of whom only 32 could be positively identified, and a further 250 were injured.
Arthur Conan Doyle wrote about HM Factory Gretna (calling it 'Moorside', and coined the phase 'the devil's porridge' after seeing the Gretna Girls processing the dangerous mixture on the production line); [19] he was a war correspondent, describing the conditions women lived and worked in. [20]
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At first, people flock to see the so-called munitionettes take on teams of injured soldiers and women from other factories. Eventually, they started to enjoy the matches for the skill and ability of the women players. In August 1917, the Munitionettes' Cup was established, with the first winners being Blyth Spartans.
Laurence Peacock is an English playwright and dramaturg based in Sheffield, South Yorkshire.His Canary Girls, about the canary girls (munitions workers) of World War I, was one of Mikron Theatre Company's two touring productions in 2016, [1] [2] and his In At The Deep End, about the Royal National Lifeboat Institution, is one of their two productions in 2017.