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The Urdu ghazal is a literary form of the ghazal-poetry unique to the Indian subcontinent, written in the Urdu standard of the Hindostani language. It is commonly asserted that the ghazal spread to South Asia from the influence of Sufi mystics in the Delhi Sultanate .
A kulliyyāt (from Arabic: كلّيّات kulliyyāt; Persian: کلیات kolliyyât; Azerbaijani: külliyyat; Urdu: کلیات; Uzbek: kulliyat) is a collection of the poetry of any one poet. Cover of the 1872 translation of the works of Mirza Muhammad Rafi Sauda (1713–1781) Kulliyat is one of the principal collection forms of Urdu poetry ...
The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6] Traditionally, that this form of poetry is often read to an audience in a special setting called mehfil.
Aab-e hayat (Urdu: آبِ حیات, lit. water of life) is a commentary (or tazkira) on Urdu poetry written by Muhammad Husain Azad in 1880. [1] The book was described as "canon-forming" and "the most often reprinted, and most widely read, Urdu book of the past century." [1] [2] The book is regarded as the first chronological history of Urdu ...
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Ashob is regarded by scholars as an important historical genre in Persian, Urdu and Turkish literature used by the writers to express their anguish and sorrows over political and social shifts. [4] [5] The Ashobs generally describe emotional and thoughts of a writer in a narrative poetic format based on several features. [6]
For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is transient and influenced by the beloved's presence. Similarly, "Gongay laboun pe hurf-e-tamanna kiya mujhe" (I am a wish on mute lips) metaphorically portrays unspoken desires.