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Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Late Medieval clothing and embroidery Archived 2 July 2007 at the Wayback Machine; Late 15th century Italian (Venice) Velvet at the Metropolitan Museum of Art; 15th Century Female Flemish Dress: A Portfolio of Images, by Hope Greenberg; Women's Clothing in 15th Century Florence; Burgundian wedding c1470, from the Getty
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
A farthingale is one of several structures used under Western European women's clothing - especially in the 16th and 17th centuries - to support the skirts in the desired shape and to enlarge the lower half of the body. The fashion originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for ...
A fashion in men's clothing for the dark furs sable and marten arose around 1380, and squirrel fur was thereafter relegated to formal ceremonial wear. [14] Ermine , with their dense white winter coats, was worn by royalty, with the black-tipped tails left on to contrast with the white for decorative effect, as in the Wilton Diptych above.
Braies stems from Old French: braies, but is etymologically related to many other European words for pants, including the English word breeches.Braies via Old French originate from Latin: bracae, plural of braca (also spelled braccae), referring to the shapeless pants worn by the Ancient Gauls, which in turn is borrowed from Gaulish brāca, of Germanic origin.