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This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
4) and the direction 'Free time' written above. The word FREE is written downwards across the stave. This is mostly used when the piece changes to free time after having had a time signature. Instead of a time signature, a large X is written on the stave. Note heads alone are used, without time values (typically black note heads without stems)
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Cato, a Tragedy is a play written by Joseph Addison in 1712 and first performed on 14 April 1713. It is based on the events of the last days of Marcus Porcius Cato Uticensis (better known as Cato the Younger) (95–46 BC), a Stoic whose deeds, rhetoric and resistance to the tyranny of Julius Caesar made him an icon of republicanism, virtue, and liberty.
Examples of time signatures for alla breve Examples of time signatures for common time. Alla breve [alla ˈbrɛːve] – also known as cut time or cut common time – is a musical meter notated by the time signature symbol (a C) with a vertical line through it, which is the equivalent of 2
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The Distichs of Cato (Latin: Catonis Disticha, most famously known simply as Cato) is a Latin collection of proverbial wisdom and morality by an unknown author from the 3rd or 4th century AD. The Cato was the most popular medieval schoolbook for teaching Latin, prized not only as a Latin textbook, but as a moral compass.
According to Charles Burris, "Rothbard and Crane became bitter rivals after disputes emerging from the 1980 LP presidential campaign of Ed Clark carried over to strategic direction and management of Cato". [67] Janek Wasserman wrote, "The tempestuous tale of the Rothbard-Koch-Cato relationship has been told and retold because of its floridness."