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Terry Gilliam, Michael Palin and Terry Jones playing "The Spanish Inquisition" in Monty Python Live (Mostly), London, 2014 "The Spanish Inquisition" is an episode and recurring segment in the British sketch comedy TV series Monty Python's Flying Circus, specifically series 2 episode 2 (first broadcast 22 September 1970), that satirises the Spanish Inquisition.
The First 28 Years of Monty Python – Kim "Howard" Johnson (1998) Monty Python Speaks! – David Morgan (1999) The (Non-Inflatable) Monty Python TV Companion – Jim Yoakum (1999) The Pythons' Autobiography by The Pythons (2003) Monty Python and Philosophy: Nudge, Nudge, Think, Think! – Gary L. Hardcastle and George A. Reisch (2006)
It first aired in 1970 on Monty Python's Flying Circus as part of Episode 25, and also appears in the film And Now for Something Completely Different. Atlas Obscura has noted that it may have been inspired by English as She Is Spoke , a 19th-century Portuguese–English phrase book regarded as a classic source of unintentional humour, as the ...
The final touch is when he's telling her he's about to come, and she says, 'Don't pull out, come inside me,' and again they cut to the whole cast and they're like, Whoa, she's not supposed to do ...
The head knight, as portrayed by Michael Palin. The Knights Who Say "Ni!", also called the Knights of Ni, are a band of knights encountered by King Arthur and his followers in the 1975 film Monty Python and the Holy Grail and the play Spamalot.
The documentary is composed of six parts. The first part focuses on the Pythons' lives before Flying Circus; the second part covers their coming together and starting Flying Circus; the third part is about the Python records, their personal lives, and the end of Flying Circus; the fourth part looks at their transition to film with And Now for Something Completely Different and Holy Grail ...
How Not to Be Seen" (originally seen in Series 2, Episode 11 of Monty Python's Flying Circus): A parody of a government film which first displays the importance of not being seen, then devolves into various things being blown up, much to the amusement of the narrator (John Cleese). The narrator eventually composes himself, says "And now for ...
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