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Dolby TrueHD is a lossless, multi-channel audio codec developed by Dolby Laboratories for home video, used principally in Blu-ray Disc and compatible hardware. Dolby TrueHD, along with Dolby Digital Plus (E-AC-3) and Dolby AC-4, is one of the intended successors to the Dolby Digital (AC-3) lossy surround format.
Dolby AC-3 (a backronym for Audio Codec 3, Advanced Codec 3, or Acoustic Coder 3), also known as ATSC A/52 (name of the standard) [18] or simply Dolby Digital (DD), is the common version containing up to six discrete channels of sound. Before 1996 it was marketed as Dolby Surround AC-3, Dolby Stereo Digital, and Dolby SRD. [19]
DTS-HD Master Audio, previously known as DTS++, [28] is the second of two DTS-HD audio formats. [29] It supports a virtually unlimited number of surround sound channels, can deliver audio quality at bit rates extending from lossless (24-bit, 192 kHz) down to DTS Digital Surround and, like Neo, downmix to 5.1 or 2.1 systems.
DTS-HD MA is the encoding format for DTS:X, an object-based surround-sound format that competes with Dolby Atmos. A DTS-HD MA bitstream carrying DTS:X can contain up to 9 simultaneous sound objects, which are dynamically mapped to a user's speaker system during playback, unlike the rigid number and placement of speakers required by channel ...
Cinema 5.1 surround formats include Dolby Digital and DTS. Sony Dynamic Digital Sound (SDDS) is an 8-channel cinema configuration that features 5 independent audio channels across the front with two independent surround channels, and a Low-frequency effects channel.
The player supports HDR10 and Dolby Vision high-dynamic-range standards but not HDR10+. [1] [3] The Dolby Vision support was added after release. [4] [3] There are two HDMI ports, the other being audio only. [4] Compared to the older model, UBP-X800, X700 supports only single band 2.4GHz Wi-Fi, while the X800 model supports dual band 5GHz. The ...
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The 'Music' category is merely a guideline on commercialized uses of a particular format, not a technical assessment of its capabilities. For example, MP3 and AAC dominate the personal audio market in terms of market share, though many other formats are comparably well suited to fill this role from a purely technical standpoint.