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The snare drum (or side drum) is a percussion instrument that produces a sharp staccato sound when the head is struck with a drum stick, due to the use of a series of stiff wires held under tension against the lower skin. Snare drums are often used in orchestras, concert bands, marching bands, parades, drumlines, drum corps, and
The snare drum illustrates the three main ways in which a sound can be perceived as indeterminate in pitch: The sound may lack any fundamental frequency sufficiently loud to produce a sensation of pitch, for example a sound consisting of noise , or a mixture of sounds containing a great deal of such noise.
The snare drum is one of the most easily recognizable instruments in the entire percussion section. Also called the side drum, the snare drum is often used as a means of accenting rhythms from other families of instruments within the orchestra or as a soloistic type, particularly in pieces that may have a "military" type theme or sound to them.
Conga drums are classified according to their size, which correlates to their pitch: larger drumheads have a lower pitch and vice versa. Originally, drums were tuned by adjusting knots and tension ropes on the drumhead, or, more commonly, where the drum heads were tacked or nailed to the top of the shell, by careful heating of the head.
Snare technique is the technique used to play a snare drum. It is studied as an end to itself by snare drummers, and as a way of developing stick control skill by kit drummers and players of other auxiliary percussion instruments. Snare drum is the first instrument that most percussionists learn to play.
A fife and drum corps is a musical ensemble consisting of fifes and drums. In the United States of America, fife and drum corps specializing in colonial period impressions using fifes, rope tension snare drums and rope tension bass drums are known as Ancient Fife and Drum Corps. [1] Many of these ensembles originated from a type of military ...
Samuel Potter's book, The Art of Beating the Drum from 1817 recommends that rudiments be played "until perfectly close," but there is no mention of opening them back up again. [6] It wasn't until 1862 that George Barrett Bruce recommended playing rudiments in the open, closed, open method. [ 7 ]
The drum section serves as the accompaniment of the band. It is composed with a group of snare drums, multiple tenor drums and bass drums (melodic and non-melodic) and sometimes clash cymbals. Sometimes, they add tambourines, woodblocks, triangles, and maracas in this section and assign them to a specific member carrying a snare drum or a lyre.