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In Navajo weaving, the slit weave technique common in kilims is not used, and the warp is one continuous length of yarn, not extending beyond the weaving as fringe. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs. Textiles with representational imagery are called pictorial.
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep, other breeds of sheep, or commercial wool. Designs can be pictorial or abstract, based on historic Navajo, Spanish, Asian, or Persian designs. 20th century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
As a jewelry artist, her work is informed by both Navajo and Pueblo tribal traditions combined with a modern and global aesthetic, with rich textures. [1] [10] [11] She is inspired by Navajo weaving designs, as her aunts were rug weavers, but also takes inspiration from traditional Puebloan motifs. [6]
Navajo rugs are woven by Navajo women today from Navajo-Churro sheep or commercial wool. Designs can be pictorial or abstract, based on traditional Navajo, Spanish, Oriental, or Persian designs. 20th-century Navajo weavers include Clara Sherman and Hosteen Klah, who co-founded the Wheelwright Museum of the American Indian.
Grace Henderson Nez (May 10, 1913 – July 14, 2006) [1] was a Navajo weaver, known for her traditional designs. [2] Her main styles were old designs from the 19th century and Ganado style. [ 3 ] Some of her work was demonstrated at the Hubbell Trading Post , which is home to an archive of works from various Navajo weavers.
Daisy Taugelchee (c. 1909 – September 8, 1990) was a Navajo weaver. The Denver Art Museum declared Taugelchee as "widely considered the most talented Navajo weaver and spinner who ever lived". [1] In 2004 one of her rugs was featured on a United States Postal Service stamp.