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The technical lightsaber choreography for the original Star Wars trilogy was developed by Hollywood sword-master Bob Anderson. Anderson personally trained Mark Hamill (Luke Skywalker) and, in The Empire Strikes Back and Return of the Jedi, performed all the stunts as Darth Vader during the lightsaber duels wearing Vader's costume.
It was produced as an entry in a lightsaber choreography competition hosted by TheForce.net, a prominent Star Wars fan site noted for its fan film-making community. According to the official TFN entry for the film, the backstory involves Ryan and Michael, or "Ryan_W" and "DorkmanScott", as they are known on TheForce.net's forums, meeting after ...
Ryan vs. Dorkman was produced as an entry in a lightsaber choreography competition hosted by TheForce.net, a prominent Star Wars fan site noted for its fan film-making community. According to the official TFN entry for the film, the backstory involves Ryan and Michael, or "Ryan_W" and "DorkmanScott" as they are known on TheForce.net's forums ...
Another added, “With its fifth episode, I genuinely think that The Acolyte delivered the best lightsaber fight choreography since Revenge of the Sith. Absolutely riveting. Absolutely riveting.
Robert James Gilbert Anderson (15 September 1922 – 1 January 2012) was an English Olympic fencer and a renowned film fight choreographer, with a cinema career that spanned more than 50 years and included films such as Star Wars, Highlander, The Three Musketeers, The Princess Bride, The Mask of Zorro, The Lord of the Rings, and Die Another Day.
Standing tall in a striking mask with exposed teeth, wielding a unique red lightsaber, and flexing biceps cut from stone, The Stranger is now in league with iconic villains like Darth Vader and ...
Gillard was born in Brighton, England.At the age of twelve, he ran away from military school to join the circus where he performed as bareback horse rider.Over the next few years Gillard worked with several circus's including Circus Althoff in Germany and Los Muchachos Circus in Spain.
The team had identified choreography as the main priority, which included connecting the blaster shots and impacts with corresponding lightsaber movements. Additional components, such as smoke, sparks, and detonations upon impact, were also added in post, while some of the components were provided from props used in practical filming. [20]