Search results
Results From The WOW.Com Content Network
In Japanese popular culture, a bishōjo (美少女, lit. "beautiful girl"), also romanized as bishojo or bishoujo, is a cute girl character. Bishōjo characters appear ubiquitously in media including manga, anime, and computerized games (especially in the bishojo game genre), and also appear in advertising and as mascots, such as for maid cafés.
This category should be reserved specifically for characters originating in anime and manga, as opposed to licensed appearances in such media.
Himitsu no Akko-chan (ひみつのアッコちゃん, lit. "The Secrets of Akko-chan" [1]) is an early magical girl manga series [2] written and illustrated by Fujio Akatsuka.The story centers around an elementary school girl who is gifted a magic mirror that allows her to transform into anything she chooses, and the misadventures that follow.
Yohane the Parhelion is a re-imagining of Love Live!Sunshine!!, featuring characters and settings based on, but not exact to, their counterparts in Sunshine!!.The exact period the series is set in is left vague, with the depicted technology and styling alternating between the 20th and 21st centuries.
Wikipedia anthropomorph Wikipe-tan as a majokko, the original magical girl archetype. Magical girl (Japanese: 魔法少女, Hepburn: mahō shōjo) is a subgenre of primarily Japanese fantasy media (including anime, manga, light novels, and live-action media) centered on young girls who possess magical abilities, which they typically use through an ideal alter ego into which they can transform.
The role of girls and women in manga produced for male readers has evolved considerably over time to include those featuring single pretty girls [72] such as Belldandy from Oh My Goddess!, stories where such girls and women surround the hero, as in Negima and Hanaukyo Maid Team, or groups of heavily armed female warriors (sentō bishōjo) [73]
Mieruko-chan (見える子ちゃん, "The Girl Who Can See Them") is a Japanese manga series written and illustrated by Tomoki Izumi. It began serialization online via Kadokawa's ComicWalker website in November 2018, with eleven tankōbon volumes released so far.
Raphael See from T.H.E.M. Anime Reviews, who found Neon Genesis Evangelion ' s characterization "a little cliché, or just plain irritating at times", despised Asuka for her arrogant attitude. [249] Anime Reign writer Matthew Perez described her as initially "overly stuck up", but he also appreciated her evolution. [250]