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Slow jams with quiet storm elements continued to be produced through the 2000s and 2010s. [4] Quiet storm songs are a mix of genres, including pop, contemporary R&B, smooth soul, smooth jazz and jazz fusion – songs having an easy-flowing and romantic character. The format first appeared in 1976 but initially it drew from songs recorded earlier.
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
Songs stayed on the chart for a long time and fewer songs made it on the chart. Ten songs had runs at number one of ten weeks or longer during the 1990s, with the longest coming from "Touch, Peel and Stand" by Days of the New at 16 weeks. ("Higher" by Creed spent 17 weeks at the top of the chart but its last couple of weeks ran into the year 2000).
Contemporary Country is a 22-volume series issued by Time-Life during the early 1990s, spotlighting country music of the 1970s through mid 1990s.. Each volume in the series chronicled a specific time period – the early-1970s, the mid-1970s, the late-1970s, the early-1980s, the mid-1980s, the late-1980s, the early-1990s and the mid-1990s.
The Supremes ('70s): Greatest Hits and Rare Classics is a 1991 compilation album by The Supremes, released on the Motown label. [2] The compilation features a majority of the group's 1970's hits, as well as one solo song by Jean Terrell "I Had To Fall In Love", which was released in 1978 on A&M Records, and two solo tracks by Scherrie Payne, "When I Looked At Your Face" and "Another Life From ...
Once a beloved treat of the 70s and 80s, Pudding Pops were a freezer aisle favorite that blended the creamy texture of pudding with the chill of a popsicle. Originally launched by Jell-O, these ...
Reflecting on the decade's musical developments in Christgau's Consumer Guide: Albums of the '90s (2000), music critic Robert Christgau said the 1990s were "richly chaotic, unknowable", and "highly subject to vagaries of individual preference", yet "conducive to some manageable degree of general comprehension and enjoyment by any rock and roller."
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