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The Sixty-nine Stations of the Kisokaidō (木曾街道六十九次, Kisokaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen. There are 71 total prints in the series (one for each of the 69 post stations and Nihonbashi; Nakatsugawa-juku has two prints).
Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830).
The prints were very popular amongst the Japanese merchants and the middle class of the time. From the Edo period to the Meiji period (1868–1912), the technical evolution of ukiyo-e processes increased, with the accuracy of carving and printing and the vividness of colors used developing through the introduction of new printing processes and ...
Keisai Eisen's ukiyo-e print of Ageo-shuku dates from 1835–1838. The inscription to the upper left corner mentions the Kamo Shrine, which was noted for its autumn festival. Votive banners for the shrine are depicted in the rear of the tea house, and are advertising "Takenouchi" and "Hoeidoh", the publishers of the series of prints.
Keisai Eisen's print of Okegaa-shuku, part of the Sixty-nine Stations of the Kiso Kaidō series. Okegawa-shuku (桶川宿, Okegawa-shuku) was the sixth of the sixty-nine stations of the Nakasendō highway connecting Edo with Kyoto during the Edo period. It was located in the present-day city of Okegawa, Saitama Prefecture, Japan.
Keisai Eisen's ukiyo-e print of Kumagai-shuku dates from c. 1835–1838. This complicated composition is set at a fork in the highway, with a sign pointing in the direction of Oshi Castle in one direction and Fukaya-shuku in the other. A way-side tea-house is located in the fork of the road, advertising udon noodles and ankoro (a sweet bean paste).
n November 1954, 29-year-old Sammy Davis Jr. was driving to Hollywood when a car crash left his eye mangled beyond repair. Doubting his potential as a one-eyed entertainer, the burgeoning performer sought a solution at the same venerable institution where other misfortunate starlets had gone to fill their vacant sockets: Mager & Gougelman, a family-owned business in New York City that has ...
The first of the prints in the series was published jointly by the publishing houses of Hōeidō and Senkakudō, with the former handling all subsequent releases on its own. [3] Woodcuts of this style commonly sold as new for between 12 and 16 copper coins apiece, approximately the same price as a pair of straw sandals or a bowl of soup. [6]