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  2. Jaws 3-D - Wikipedia

    en.wikipedia.org/wiki/Jaws_3-D

    Jaws 3-D (titled Jaws III in its 2-D form) is a 1983 American horror film directed by Joe Alves and starring Dennis Quaid, Bess Armstrong, Simon MacCorkindale and Louis Gossett Jr. As the second sequel to Steven Spielberg 's Jaws it was the third installment in the Jaws franchise .

  3. Jaws (franchise) - Wikipedia

    en.wikipedia.org/wiki/Jaws_(franchise)

    The third sequel would attract an even lower income, with around two thirds of Jaws 3-D's total lifetime gross. [77] Jaws: The Revenge received largely negative reviews from critics, and earned the lowest amount of money from the series. It is considered one of the worst movies ever made.

  4. Bess Armstrong - Wikipedia

    en.wikipedia.org/wiki/Bess_Armstrong

    Elizabeth Key "Bess" Armstrong (born December 11, 1953) [1] is an American actress. She is known for her roles in the films The Four Seasons (1981), High Road to China (1983), Jaws 3-D (1983), and Nothing in Common (1986).

  5. Jaws (film) - Wikipedia

    en.wikipedia.org/wiki/Jaws_(film)

    Jaws is a 1975 American thriller film directed by Steven Spielberg, based on the 1974 novel by Peter Benchley.It stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw), hunts a man-eating great white shark that attacks beachgoers at a summer resort town.

  6. Peter Benchley - Wikipedia

    en.wikipedia.org/wiki/Peter_Benchley

    George Lucas used a similar strategy in 1977 for Star Wars which exceeded the financial record set by Jaws, and hence the summer "blockbuster" movie practice was born. [7] Benchley estimated that his income from book sales, movie rights and magazine/book club syndication, enabled him to work independently as a movie writer for ten years. [8]

  7. All 29 Steven Spielberg movies, ranked from worst to best - AOL

    www.aol.com/entertainment/2015-10-15-all-29...

    Jaws (1975): The original blockbuster is a lot slower than you remember, proof that so few of the films it inspired took heed of its central filmmaking message: Tease, tease, tease, make them wait ...