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The Shãh Abbãsi floral design (motif) was commissioned by Shãh Abbãs the Great, originally to decorate the tiles of Esfahan's mosques. As rug weavers take inspiration from their surroundings, the design quickly found its way to Esfahan's rug weaving industry.
Floral design or flower arrangement is the art of using plant material and flowers to create an eye-catching and balanced composition or display. Evidence of refined floral design is found as far back as the culture of ancient Egypt. Floral designs, called arrangements, incorporate the five elements and seven principles of floral design. [1]
Many designs in Islamic culture are motifs, including those of the sun, moon, animals such as horses and lions, flowers, and landscapes. In kilim flatwoven carpets, motifs such as the hands-on-hips elibelinde are woven in to the design to express the hopes and concerns of the weavers: the elibelinde symbolises the female principle and fertility ...
The motif is found in decoration in nearly every medium. The relationship between acanthus ornament and the acanthus plant has been the subject of a long-standing controversy. Alois Riegl argued in his Stilfragen that acanthus ornament originated as a sculptural version of the palmette , and only later began to resemble Acanthus spinosus .
The formalised flower motif is often carved in stone or wood to create decorative ornaments for architecture and furniture, and in metalworking, jewelry design and the applied arts to form a decorative border or at the intersection of two materials. Rosette decorations have been used for formal military awards.
The whiplash or whiplash line is a motif of decorative art and design that was particularly popular in Art Nouveau. It is an asymmetrical, sinuous line, often in an ornamental S-curve, usually inspired by natural forms such as plants and flowers, which suggests dynamism and movement. [1]
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia , often in forms that bear relatively little resemblance to the original.
The motifs and designs in alpanas are usually created in a free-hand style, without the use of stencils or patterns. In the region of Bengal, it is common to use floral motifs, as well as figurative symbols representing specific gods. [3] Modern alpanas may use materials including glue, vermilion, and dyes for more durable designs. [10] [9]