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The lyrical themes are heavily inspired predominantly by Greek mythology, [24] [14] [21] though Aurora acknowledged that some of them have references to Abrahamic and ancient Roman religions. [ 29 ] [ 30 ] Furthermore, the styles of lyrical writing have been described as dark and disturbing, with a maximal and introspective style.
Operas based on classical mythology (6 C, 174 P) Pages in category "Classical mythology in music" The following 23 pages are in this category, out of 23 total.
Hadestown is a musical with music, lyrics, and book by Anaïs Mitchell.It tells a version of the ancient Greek myth of Orpheus and Eurydice. Eurydice, a young girl looking for something to eat, goes to work in a hellish industrial version of the Greek underworld to escape poverty and the cold, and her poor singer-songwriter lover Orpheus comes to rescue her.
The song's musical narrative traces a path of death and rebirth. Cocteau Twins released "Persephone" in 1984 on their critically acclaimed album Treasure. The progressive death metal band Persefone is named after the Greek goddess, and they have released an album called "Core", which is based on the myth of Persephone.
Ialémos (Ancient Greek: Ἰάλεμος, meaning "funeral song"), is a song of lamentation in ancient Greece, a minor deity personifying this song in Greek mythology, and an epithet of Linus. He was the son of Apollo and Calliope , and the inventor of the song Ialemus , which was a kind of dirge , or at any rate a song of a very serious and ...
Heather Dale's 2005 album "The Road to Santiago" included the song "Medusa," also from Medusa's point of view. Another song named Medusa was released by Kailee Morgue in 2017. Bring Me the Horizon have a song titled “(I Used to Make Out With) Medusa" on their 2006 album Count Your Blessings. Kaia Jette released a song titled Medusa in 2023. [28]
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Ancient Greek songs" The following 3 pages are in this category, out of 3 ...
The Greek concepts of scales (including the names) found its way into later Roman music and then the European Middle Ages to the extent that one can find references to, for example, a "Lydian church mode", although name is simply a historical reference with no relationship to the original Greek sound or ethos.