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This tendency to resolve outwards to is why the interval is spelled as an augmented sixth, rather than enharmonically as a minor seventh (♭ and ♭). Although augmented sixth chords are more common in the minor mode, they are also used in the major mode by borrowing ♭ of the parallel minor scale. [4]
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That is, the implied seventh chord is a dominant seventh, i.e. a major triad plus the minor seventh, to which the ninth is added: e.g., a C 9 consists of C, E, G, B ♭ and D. C dominant ninth (C 9) would usually be expected to resolve to an F major chord (the implied key, C being the dominant of F).
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As a diatonic function, the leading tone is the seventh scale degree of any diatonic scale when the distance between it and the tonic is a single semitone.In diatonic scales in which there is a whole tone between the seventh scale degree and the tonic, such as the Mixolydian mode, the seventh degree is called the subtonic.