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Byzantine music (Greek: Βυζαντινή μουσική, romanized: Vyzantiné mousiké) originally consisted of the songs and hymns composed for the courtly and religious ceremonial of the Byzantine Empire and continued, after the fall of Constantinople in 1453, in the traditions of the sung Byzantine chant of Eastern Orthodox liturgy.
Znamenny Chant (Russian: знаменное пение, знаменный распев) is a singing tradition used by some in the Russian Eastern Orthodox Church. Znamenny Chant is a unison , melismatic liturgical singing that has its own specific notation, called the stolp notation.
A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes, based on the Biblical canticles. Most of these are found in the Old Testament, but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament. [a]
The names ascribed to the eight tones differ in translations into Church Slavonic.The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites [2] (see Hagiopolitan Octoechos) and to the chant treatises and tonaries of Carolingian theorists.
The Eastern Orthodox view their church as being the living embodiment of Christ, through the grace of His Holy Spirit, in the people, clergy, monks and all other members of the church. Thus the church is viewed as the Body of Christ on earth which is perpetually unified with the Body of Christ in heaven through a common act of worship to God.
Monks from all over Eastern Europe and Byzantium traveled to Mount Athos for musical training and to learn the ways of Orthodox chant. [2] At Mount Athos, Russian monks learned the Byzantine neumatic notation for chant, which they readily adopted and brought back with them to Russia.
Hence, several manuals of Orthodox Chant mentioned that the enharmonic use of intervals had been spread over all different genera (Chrysanthos discussed these differences within the genus as "chroa"), but several Phanariotes defined this general phenomenon by the use of the word "harmony" (ἁρμονία) which was the Greek term for music and ...
The Obikhod (Обиход церковного пения) is a collection of polyphonic Russian Orthodox liturgical chants forming a major tradition of Russian liturgical music; it includes both liturgical texts and psalm settings. The original Obikhod, the book of rites of the monastery of Volokolamsk, was composed about 1575. Among its ...