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  2. Ikebana - Wikipedia

    en.wikipedia.org/wiki/Ikebana

    Ikebana (生け花, 活け花, ' arranging flowers ' or ' making flowers alive ') is the Japanese art of flower arrangement. [ 1 ] [ 2 ] It is also known as kadō ( 華道 , ' way of flowers ' ) . The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro ...

  3. Banmi Shōfū-ryū - Wikipedia

    en.wikipedia.org/wiki/Banmi_Shōfū-ryū

    Chabana design by Ric Bansho Carrasco in a Shoshin Pottery chabana pot created in Guang Ming Temple during a demonstration in 2012. The double mahogany bentwood stands is the traditional indication that an ikebana headmaster of iemoto created the design standing on them. Solitary flower is a Phalaenopsis with a magnolia leaf and a Waialua ...

  4. Moribana - Wikipedia

    en.wikipedia.org/wiki/Moribana

    The arranged flowers may be placed in Western-style rooms and entranceways, not just in the tokonoma alcove found in traditional Japanese-style rooms. While distinctly a hallmark of the Ohara school, moribana has become one of the standard forms learned and created by Ikebana practitioners regardless of school or style affiliation. [1] [2] [3]

  5. Ikenobō - Wikipedia

    en.wikipedia.org/wiki/Ikenobō

    Shōka arrangement by the 40th headmaster Ikenobō Senjō, from the Sōka Hyakki by the Shijō school (1820). Ikenobō (池坊) is the oldest and largest school of ikebana, the Japanese practice of giving plants and flowers invigorated new life.

  6. Ohara-ryū - Wikipedia

    en.wikipedia.org/wiki/Ohara-ryū

    Ohara-ryū floral arrangement by Iemoto Ohara Hiroki (小原宏貴) at the Meguro Gajoen (November 2018) Landscape moribana arrangement in a tokonoma alcove in front of a scroll painting . Ohara-ryū (小原流) is a school of Ikebana, or Japanese floral art.

  7. Sōgetsu-ryū - Wikipedia

    en.wikipedia.org/wiki/Sōgetsu-ryū

    The founder Sōfū Teshigahara in 1948. Sōgetsu was founded by Sōfū Teshigahara in 1927. [1] Sōfū's father was an ikebana master, who taught his son from childhood. Sōfū wanted to become a painter, but he found that the possibilities for creative expression in using green materials are endless, just as in pa