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Public domain scores and books. Eastman School of Music at the University of Rochester: Spohr-Briefe: 19th-century, German: 6,000 Letters from and to the composer, violinist and conductor Louis Spohr. Spohr Museum Tablature in PDF and PostScript: lute, tab: 75 Lute music available in EPS, PDF, MIDI, or TAB format. Wayne Cripps of Dartmouth College
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
[2] The book has since been published in a case-size edition by William Bay, Mel's son and has spawned a series of similar books like the Encyclopedia of Guitar Chord Progressions (first published in 1977 [3]), Encyclopedia of Guitar Chord Inversions, Mel Bay's Deluxe Guitar Scale Book, Encyclopedia of Jazz Guitar Runs, Fills, Licks & Lines ...
A Book of Music for two prepared pianos (1944) Experiences No. 1 (1945) Three Dances for two prepared pianos (1945) Furniture Music Etcetera (1980) Two 2 (1989) Cornelius Cardew (1936-1981) Two Books of Study for Pianists (1958) Boolavogue (1981) Jacques Castérède (born 1926) Crosses on Fire for 2 pianos (Feux croisés pour deux pianos) (1963)
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
Luckey Roberts was born in Philadelphia, Pennsylvania, United States, [2] and was playing piano and acting professionally with traveling Vaudeville and Negro minstrel shows in his childhood. His father, William Roberts, an unaccredited self-taught veterinarian, was overwhelmed by the responsibility of single-parenthood when his mother ...
The Virtuoso Pianist (Le Pianiste virtuose) by Charles-Louis Hanon (1819 – 1900), is a compilation of sixty exercises meant to train the pianist in speed, precision, agility, and strength of all of the fingers and flexibility in the wrists.
The key musical idea of this concerto is first heard in the first clarinet, accompanied by no more than four other woodwinds: a sequence of two chords—an A major chord with a C ♯ on top, then a dominant seventh on F ♮. One note connects the two chords—an A. Allegro agitato assai This is technically the scherzo of the piece.