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  2. Les Patineurs (waltz) - Wikipedia

    en.wikipedia.org/wiki/Les_Patineurs_(waltz)

    Les Patineurs ("The Ice Skaters", in German "Der Schlittschuhläufer-Walzer"), Op. 183, is a waltz by Émile Waldteufel. Rink of Skaters at the Bois de Boulogne (painted by Renoir, 1868) It was composed in 1882, inspired by the cercle des patineurs (rink of skaters) at the Bois de Boulogne in Paris. The introduction to the waltz can be likened ...

  3. Émile Waldteufel - Wikipedia

    en.wikipedia.org/wiki/Émile_Waldteufel

    A biography of the Waldteufel family by Andrew Lamb (Skaters' Waltz: The Story of the Waldteufels) was published in 1995. His waltz Dolorès , Op. 170 (1880) was the basis for the Russian romance Honey, do you hear me ( Russian : «Милая, ты услышь меня» ).

  4. Oscar Rasbach - Wikipedia

    en.wikipedia.org/wiki/Oscar_Rasbach

    España (Emmanuel Chabrier), for piano solo; Sigh No More, Ladies (James H. Rogers/Shakespeare), for women's chorus, 1959; The Skaters (Emil Waldteufel), for piano solo, 1941; Thou, too, sail on, O Ship of State! (text by Henry Wadsworth Longfellow) (Engelbert Humperdinck, "Abends, will ich schlafen gehn" from Hansel and Gretel), for women's ...

  5. The Silver Skates (film) - Wikipedia

    en.wikipedia.org/wiki/The_Silver_Skates_(film)

    The film also uses fragments of works by Johann Sebastian Bach's Fugue g-moll BWV 578, String Quartet No. 3 (Part III) and String Quartet No. 51 op. 64 No. 4 (Part I) by Joseph Haydn, Nocturne No. 13 H 60 by John Field, Piano Sonata No. 2 WWV 21 (Part II) by Richard Wagner, The Skaters' Waltz by Emil Waldteifel.

  6. Les Patineurs - Wikipedia

    en.wikipedia.org/wiki/Les_Patineurs

    Les Patineurs (French, literally The Skaters) may refer to: Les Patineurs (ballet) , a ballet arranged by Constant Lambert from music by Giacomo Meyerbeer Les Patineurs (waltz) , a waltz by Émile Waldteufel

  7. List of compositions by Viktor Kosenko - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_by...

    His piano music may be considered post-romantic, containing eclectic elements of musical nationalism. Although a particular folk song has never been directly cited in his work, his melodic and harmonic lines are definitely associated with Ukrainian folk songs, and also with the Dorian, Lydian, and Phrygian mode used extensively in his compositions.