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Fine art: Use of group theory, self-replicating shapes in art [21] [22] Escher, M. C. 1898–1972: Fine art: Exploration of tessellations, hyperbolic geometry, assisted by the geometer H. S. M. Coxeter [19] [23] Farmanfarmaian, Monir: 1922–2019: Fine art: Geometric constructions exploring the infinite, especially mirror mosaics [24] Ferguson ...
Pieter Cornelis Mondriaan (Dutch: [ˈpitər kɔrˈneːlɪs ˈmɔndrijaːn]; 7 March 1872 – 1 February 1944), known after 1911 as Piet Mondrian (/ p iː t ˈ m ɒ n d r i ɑː n /, US also /-ˈ m ɔː n-/, Dutch: [pit ˈmɔndrijɑn]), was a Dutch painter and art theoretician who is regarded as one of the greatest artists of the 20th century.
Henri Matisse was known as a versatile artist who dabbled in many art forms and experimented with various media, including painting, drawing, sculpture, and graphic arts such as etchings, linocuts ...
Georgia O'Keeffe, Drawing XIII, 1915, charcoal on paper, 24 3/8 x 18 1/2 in. (61.9 x 47 cm), Metropolitan Museum of Art. Drawing XIII is an example of how O'Keeffe began to develop her own sense of design and composition. A rising flame or flowing river are suggested by the curved line on the right side of the drawing.
Controversially, the artist David Hockney has argued that artists from the Renaissance onwards made use of the camera lucida to draw precise representations of scenes; the architect Philip Steadman similarly argued that Vermeer used the camera obscura in his distinctively observed paintings.
Line art or line drawing is any image that consists of distinct straight lines or curved lines placed against a background (usually plain). Two-dimensional or three-dimensional objects are often represented through shade (darkness) or hue . Line art can use lines of different colors, although line art is usually monochromatic.
The Vitruvian Man (Italian: L'uomo vitruviano; [ˈlwɔːmo vitruˈvjaːno]) is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius , the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed ...
In the late 1970s, Stella began adding three-dimensionality to his visual art, using metals and other mixed media to blur the boundary between painting and sculpture.