Search results
Results From The WOW.Com Content Network
The Shure SM58 is a professional cardioid dynamic microphone, commonly used in live vocal applications. Produced since 1966 by Shure Incorporated , it has built a reputation among musicians for its durability and sound, and is still the industry standard for live vocal performance microphones.
The Shure Beta 58A microphone. The Shure Beta 58A is a rugged dynamic supercardioid microphone developed by Shure Incorporated specifically for live vocal performances. [1] The microphone won a TEC Award in 1996 for outstanding microphone technology. [2] Shure's Beta series of microphones was introduced in 1989.
Like the SM58, the SM57 is fitted with an XLR connector and is impedance balanced, which helps to minimize electrical hum and noise pickup when connected to a balanced input. Compared to the SM58, the SM57's grille allows for closer placement to the source of sound, while the SM58 provides a pop filter to reduce plosives ("pop" sounds) and wind.
Shure SM58 microphone Topics referred to by the same term This disambiguation page lists articles associated with the same title formed as a letter–number combination.
Print/export Download as PDF; Printable version; ... This image is used by the football kit template. For other patterns and instructions see the talk page
Shure Inc. is an audio products corporation headquartered in the USA. It was founded by Sidney N. Shure in Chicago, Illinois, in 1925 as a supplier of radio parts kits. The company became a manufacturer of consumer and professional audio-electronics including microphones, wireless microphone systems, phonograph cartridges, discussion systems, mixers, and digital signal processing.
The first commercially successful type of electrical phonograph pickup was introduced in 1925. Although electromagnetic, its resemblance to later magnetic cartridges is remote: it employed a bulky horseshoe magnet and used the same single-use steel needles which had been standard since the first mechanical transfer disc record players appeared in the 1890s.
The pickup patterns of the pair, combined with their positioning, delivers a high degree of stereo separation in the source signal, as well as the room ambiance. The Blumlein pair produces an exceptionally realistic stereo image, but the quality of recordings is highly dependent on the acoustics of the room and the size of the sound source.