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The vocal folds are commonly referred to as vocal cords, and less commonly as vocal flaps or vocal bands. The term vocal cords was coined by the French anatomist Antoine Ferrein in 1741. In his violin analogy of the human voice, he postulated that the moving air acted like a bow on cordes vocales. [43]
Production of falsetto, on the other hand, vibrates only the ligamentous edges of the vocal folds while leaving each fold's body relatively relaxed. [8] Transition from modal voice to falsetto occurs when each vocal cord's main body, or vocalis muscle, relaxes, enabling the cricothyroid muscles to stretch the vocal ligaments. [6]
Adult male voices are usually lower-pitched and have larger folds. The male vocal folds (which would be measured vertically in the opposite diagram), are between 17 mm and 25 mm in length. [10] The female vocal folds are between 12.5 mm and 17.5 mm in length. The folds are within the larynx.
Vocal pedagogists may use the term vocal register to refer to any of the following: [2] A labeled anatomical diagram of the vocal folds or cords. a particular part of the vocal range such as the upper, middle, or lower registers; a resonance area such as chest voice or head voice; a phonatory process; a certain vocal timbre
In popular music, the whistle register is used with more variety and to produce much higher pitches than are called for in classical music.It has mostly been used by female singers, with notable examples being Minnie Riperton, [4] Betty Wright, [5] Mariah Carey, [6] Christina Aguilera, [7] Ariana Grande [8] and Chante Moore.
In particular, the sound is produced via constricting the larynx in order to produce oscillations in the vocal cords and vestibular folds (or "false vocal cords") at certain frequencies of the vocal cords - corresponding to integer divisions of the frequency produced by the vestibular folds, such as 1:2, 1:3, and 1:4 ratios. [1]
Throat singing techniques may be classified under an ethnomusicological approach, which considers cultural aspects, their associations to rituals, religious practices, storytelling, labor songs, vocal games, and other contexts; or a musical approach, which considers their artistic use, the basic acoustical principles, and the physiological and mechanical procedures to learn, train and produce ...
The myoelastic theory states that when the vocal cords are brought together and breath pressure is applied to them, the cords remain closed until the pressure beneath them, the subglottic pressure, is sufficient to push them apart, allowing air to escape and reducing the pressure enough for the muscle tension recoil to pull the folds back together again.