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Blazing Saddles is a 1974 American satirical postmodernist [4] [5] Western black comedy film directed by Mel Brooks, who co-wrote the screenplay with Andrew Bergman, Richard Pryor, Norman Steinberg and Alan Uger, based on a story treatment by Bergman. [6]
The Last Time I Saw Paris (1954), by Richard Brooks; Phantom of the Rue Morgue (1954), by Roy Del Ruth; Sabrina (1954), by Billy Wilder; The French, They Are a Funny Race (1955), by Preston Sturges; So This Is Paris (1955), by Richard Quine; Anything Goes (1956), by Robert Lewis; Trapeze (1956), by Carol Reed; Funny Face (1957), by Stanley Donen
Brooks receiving a star on the Hollywood Walk of Fame in 2010. Mel Brooks is an actor, comedian, and filmmaker of the stage, television, and screen. He started his work as a comedy writer, actor, and then director of 11 feature films including The Producers (1967), Young Frankenstein (1974), and Blazing Saddles (1974).
So, grab a baguette (or two) and enjoy 20 of the best movies set in Paris, from Amélie to How to Steal a Million. 1. Before Sunset (2004) Cast: Ethan Hawke, Julie Delpy, Vernon Dobtcheff.
Mel Brooks: June 12, 1981 20th Century Fox $31,672,907: Anthology comedy 62% [3] 1982: My Favorite Year: Richard Benjamin: October 8, 1982 Metro–Goldwyn–Mayer: $20,123,620: Comedy 96% [4] Frances: Graeme Clifford: December 3, 1982 Universal Pictures: $5,000,000 Biographical drama: 65% [5] 1983: To Be or Not to Be: Alan Johnson: December 16 ...
Mel Brooks’ life and career will be chronicled in a two-part documentary set up at HBO Documentary Films, with Judd Apatow and Michael Bonfiglio. The project is already in production. Per the ...
Silent Movie (1976) was written by Brooks and Clark, and starred Brooks in his first leading role, with Dom DeLuise, Marty Feldman, Sid Caesar, Bernadette Peters, and in cameo roles playing themselves: Paul Newman, Burt Reynolds, James Caan, Liza Minnelli, Anne Bancroft, and the mime Marcel Marceau, who uttered the film's only word of audible ...
When Spaceballs first hit theaters in 1987, Brooks had his comedic sights set on George Lucas' original Star Wars trilogy, which had concluded just a few years earlier.