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Inferno depicts a vision of hell divided into nine concentric circles, each home to souls guilty of a particular class of sin. [3] Led by his guide, the Roman poet Virgil, Dante enters the first circle of hell in Inferno 's Canto IV. The first circle is Limbo, the resting place of souls who "never sinned" but whose "merit falls far short". [4]
Dante now finds himself in the Eighth Circle, called Malebolge ("Evil ditches"): the upper half of the Hell of the Fraudulent and Malicious. The Eighth Circle is a large funnel of stone shaped like an amphitheatre around which run a series of ten deep, narrow, concentric ditches or trenches called bolge (singular: bolgia). Within these ditches ...
American singer-songwriter Ethel Cain's debut album Preacher's Daughter (2022) contains the song "Ptolomaea", named after one of the four concentric rings of the Ninth Circle of Hell, as depicted in the Inferno. [84] Irish Musician Hozier's third studio album Unreal Unearth (2023) is inspired by Inferno. Each song signifies Dante's journey ...
The second circle of hell is depicted in Dante Alighieri's 14th-century poem Inferno, the first part of the Divine Comedy. Inferno tells the story of Dante's journey through a vision of the Christian hell ordered into nine circles corresponding to classifications of sin; the second circle represents the sin of lust , where the lustful are ...
Cerberus in the third circle of hell, as depicted by William Blake. The presence of Cerberus in the third circle of hell is another instance of an ancient Greek mythological figure adapted and intensified by Dante; as with Charon and Minos in previous cantos, Cerberus is a figure associated with the Greek underworld in the works of Virgil and Ovid who has been repurposed for its appearance in ...
' evil ditches ') or Fraud is the eighth circle of Hell. [1] It is a large, funnel-shaped cavern, itself divided into ten concentric circular trenches or ditches, each called a bolgia (Italian for 'pouch' or 'ditch'). Long causeway bridges run from the outer circumference of Malebolge to its center, pictured as spokes on a wheel.
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Liszt had been sketching themes for the work since the early 1840s. [4] The French poet Joseph Autran recalled that in summer 1845, Liszt improvised for him "a passionate and magnificent symphony upon Dante's Divine Comedy" on the organ of the empty Marseille Cathedral at midnight, [5] [6] and later invited Autran to collaborate with him on a Dante oratorio or opera, which the poet failed to ...