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"Creeque Alley" is an autobiographical hit single written by John Phillips and Michelle Phillips of the Mamas and the Papas in late 1966, narrating the story of how the group was formed, and its early years. The third song on the album Deliver, it peaked at number 5 on the US Billboard pop singles chart the week of Memorial Day 1967,
Song [1] Original artist [1] UK Singles Chart [2] U.S. Pop [3] Other charting versions, and notes 1965 "You've Got Your Troubles" The Fortunes: 2 7 1966: Nancy Wilson, #48 US R&B 1970: Jack Blanchard & Misty Morgan, #27 US Country: 1966 "This Golden Ring" The Fortunes 15 82 "Green Grass" Gary Lewis & the Playboys - 8 "Lovers of the World Unite"
The first song to became "popular" through a national advertising campaign was "My Grandfather's Clock" in 1876. [3] Mass production of piano in the late-19th century helped boost sheet music sales. [3] Toward the end of the century, during the Tin Pan Alley era, sheet music was sold by dozens and even hundreds of publishing companies.
"I'll See You in C-U-B-A" is a 1919 popular foxtrot Tin Pan Alley [1] song written by Irving Berlin, for the musical revue The Greenwich Village Follies. [2] [3] The Follies first opened on July 15, 1919. [2] The music features a simple rhythm and melody without direct Cuban musical influences. [1]
Williams published the sheet music in 1923, and the same year Bessie Smith recorded the first hit version. [57] The song is often played as a ballad, although the sheet music indicates "medium bounce tempo". [107] Williams himself recorded the song in 1928 with his Blue Five. [57] Jo Stafford and Nat King Cole sang it in the 1945 film That's ...
Waring's recording helped make "Collegiate" number three in the country, selling more than one million copies of sheet music. To date, the song has sold over five million discs and was "interpolated" into several movies. In the 1930 Marx Brothers film Animal Crackers, "Collegiate" was the theme for Harpo Marx's professor character.
John Bratton's career soon moved from performer to composer and producer. He began in the chorus of a show called Ship Ahoy for $18 a week and not before too long was selling songs written with his friend, lyricists Walter H. Ford, for as little as $10 a title. Over the years Bratton would collaborate on over 250 songs with Ford and Paul West.
The original 1978 vinyl release of the soundtrack omitted some of the material. The design of the record's inner sleeve reflected the Apple/EMI 1962–1966 ("Red") and 1967–1970 ("Blue") compilation Beatles albums released in 1973, with printed lyrics, red, blue and white layouts, and the track listing for the two album sides using similar periods (side one: 1962–67, side two: 1967–70).