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Architecture is variously defined in conflicting ways, highlighting the difficulty of describing the scope of the subject precisely: [1] [2] [3] A general term to describe buildings and other physical structures – although not all buildings are generally considered to be architecture, and infrastructure (bridges, roads etc.) is civil engineering, not architecture.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. [3] It is both the process and the product of sketching, conceiving, [4] planning, designing, and constructing buildings or other structures. [5]
Architectural discourse from the illustrated French Dictionary of Architecture (1856) by Eugène Viollet-le-Duc. Architectural theory is the act of thinking, discussing, and writing about architecture. Architectural theory is taught in all architecture schools and is practiced by the world's leading architects.
An architectural drawing or architect's drawing is a technical drawing of a building (or building project) that falls within the definition of architecture.Architectural drawings are used by architects and others for a number of purposes: to develop a design idea into a coherent proposal, to communicate ideas and concepts, to convince clients of the merits of a design, to assist a building ...
The concept of architectural style is studied in the architectural history as one of the approaches ("style and period") that are used to organize the history of architecture (Leach lists five other approaches as "biography, geography and culture, type, technique, theme and analogy"). [5]
In ecclesial architecture, it is also used of the area between the baluster of a Catholic church and the high altar (what is usually called the sanctuary or chancel). Peristyle A continuous porch of columns surrounding a courtyard or garden (see also Peristasis). In ecclesial architecture, the term cloister is used. Phiale
Historically, multiple approaches were suggested to address the reflection of the structure in the appearance of the architectural form. In the 19th-century Germany, Karl Friedrich Schinkel suggested that the structural elements shall remain visible in the forms to create a satisfying feeling of strength and security, [3] while Karl Bötticher as part of his "tectonics" suggested splitting the ...
The idea that architecture might represent the glory of kingdoms can be traced to the dawn of civilisation, but the notion that architecture can bear the stamp of national character is a modern idea, that appeared in the 18th century historical thinking and given political currency in the wake of the French Revolution. As the map of Europe was ...